Mostrar mensagens com a etiqueta Constantin Sandu. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Constantin Sandu. Mostrar todas as mensagens

segunda-feira, 16 de maio de 2011

MASTER-PIECES OF PORTUGUESE AND ROMANIAN PIANO MUSIC

Constantin Sandu - piano


I-Tunes:

"Constantin Sandu - piano"
Master-pieces of Portuguese and Romanian Piano Music


João de Sousa Carvalho - João Domingos Bomtempo - Armando José Fernandes
Cláudio Carneyro - Filipe de Sousa - George Enescu


Details:


Although established in opposite extremities of Europe, the Portuguese and the Romanians have similar souls. The Portuguese, just like the Romanians, claim the exclusivity of a feeling – “saudade” - without any meaning in other languages; the only thing is that in Romanian it is named “dor”.
Maybe that’s why, from the beginning of my settling down in Portugal, I have felt as if I was at home, without any adaptation problems. Possibly this is the reason why when listening to Portuguese classical music I recall the Romanian “ethos”. The similar mental structure of both peoples, as well as their cultures, has roots in the common Latin origins. The differences come from the fact that Portuguese are turned towards the Atlantic and the Romanians towards the Balkans.
Having these aspects in mind, I thought it would be interesting to record a CD with some of the most beautiful piano works written by Portuguese and Romanian composers, challenging the listeners to decide if the balance tilts more to the side of the affinities or the one of the diversities.

JOÃO DE SOUSA CARVALHO (1745-1799)
1 - Toccata em sol menor 08’03’’
Allegro 
Andante con gran espressione


JOÃO DOMINGOS BOMTEMPO (1775-1842)
2 - Fantasia e Variações sobre a Aria
“Soyez Sensibles” de Mozart op. 21 10’27’’



ARMANDO JOSÉ FERNANDES (1906-1986)
3 - Cinco Prelúdios 08’38’’
Moderato con sentimento
Presto giocoso
Allegro non troppo
Andante con moto
Allegretto



CLAUDIO CARNEYRO (1895-1963)
4 - Arpa-eólea 05’03’’
5 - Movimento perpétuo 02’01’’



FILIPE DE SOUSA (1927)
6 - Sonatina nº 1 05’16’’
Moderato
Livre
Vivo



GEORGE ENESCU (1881-1955)
- Suite op. 10
7 - Toccata 04’41’’
8 - Sarabande 07’01’’
9 - Pavane 06’15’’
10 - Bourrée 06’40’’


Ref.: NUM_1136



GEOGRAFIA DA MÚSICA II

Orquestra Raízes Ibéricas
Constantin Sandu, piano

This CD represents the latest installment of Maestro José Atalaya’s ongoing series of recordings with the Iberian Roots Orchestra. In keeping with Maestro Atalaya’s philosophy, a new recording of an important Portuguese work, in this case the seldom-recorded piano concerto from 1951 by Armando José Fernandes (1906-1983), is presented alongside internationally acclaimed masterpieces, such as Mozart’s Concerto in A Major, K 414 (both concertos are performed with the soloist Constantin Sandu), or Barber’s Adagio for Strings. This musical “geography” closes with a re-working for string orchestra of the Andante from Mozart’s Sonata, K. 545, by the Portuguese composer Eurico Carrapatoso.

Details:


Orquestra Raízes Ibéricas
Constantin Sandu, piano

conductor
José Atalaya 
Paulo Martins

José Atalaya
- Concerto para piano e orquestra em
Lá Maior K. 414 (W. A. Mozart)
- Andante do K.545 (W. A. Mozart)
- Adagio para cordas (S. Barber)

Paulo Martins
- Concerto para piano e orquestra de cordas em si bemol maior
(A. J. Fernandes)


Wolfgang Amadeus Mozart
Armando José Fernandes
Samuel Barber
José Atalaya

Wolfgang Amadeus Mozart
Concerto para piano e orquestra em Lá Maior K. 414
1/13 Allegro 10’54’’
14/23 Andante 08’20’’
24/32 Allegretto 07’05’’

33/40 Andante do K. 545 05’32’’

Armando José Fernandes
Concerto para piano e orquestra de cordas em Si Bemol Maior
41/45 I - Maestoso 07’29’’
46/48 II - Vivace e scherzando 05’38’’ 
49/62 III - Calmo con intima espressione 11’05’’
63/67 IV - Allegro molto 05’53’’

Samuel Barber
68/76 Adagio para cordas 07’57’’

José Atalaya
Variantes Rítmicas I, sobre 4 sons sinusoidais
77 Quatro Sons Sinusoidais (diluídos em som branco) 01’39’’
extraídos do tema popular, recolhido da Canção das Tecedeiras ,
harmonizado por Armando José Fernandes para o
Gabinete de Estudos Musicais da Emissora Nacional. 
78 1ª variante 00’45’’
79 2ª variante 00’34’’
80 3ª variante 00’22’’
81 4ª variante 01’39’’
82 5ª variante 00’25’’
83 6ª variante e conclusão 01’49’’
(tema diluído em som branco)

Total: 77’16’’


Ref.: NUM 1177